Mechanisms: New Media and the Forensic Imagination: December 2010

Saturday, December 18, 2010

CLIR Digital Forensics Report Out

I'm very happy to announce the availability of Digital Forensics and Born-Digital Content in Cultural Heritage Collections, a new CLIR report emerging from the Mellon-sponsored workshop on the same topic held last spring here at the University of Maryland. The report (written by myself, Richard Ovenden, and Gabriela Redwine, with research assistance from Rachel Donahue) introduces the field of digital forensics in the cultural heritage sector and explores some points of convergence between the interests of those charged with collecting and maintaining born-digital cultural heritage materials and those charged with collecting and maintaining legal evidence.

Digital Forensics and Born-Digital Content in Cultural Heritage Collections is available electronically at http://www.clir.org/pubs/abstract/pub149abst.html. Print copies will be available in January for ordering through CLIR's Web site, for $25 per copy plus shipping and handling.

"Mechanisms is at the cutting edge of second generation scholarship on digital media and electronic literature. After the first generation's inflated claims and broad generalities, Mechanisms leads the way with precise, rigorous analysis both of the nature of digital media and of important works created in networked and programmable platforms. An essential work for anyone interested in the electronic literature, digital arts, and culture in the digital age."
--N. Katherine Hayles, Department of English, University of California, Los Angeles

"Very few scholars have a precise understanding of the symmetries and asymmetries that define the relation of paper-based and digital technologies. Now when we need that kind of understanding, we are weathering a perfect storm raised by the long neglect of philological discipline, on one hand, and avoidance of any practical understanding of computerized resources on the other. Kirschenbaum's lucid book engages trenchantly with these important and pressing matters. It will wake its neighbors up."
--Jerome McGann, University of Virginia

"At last in Kirschenbaum's Mechanisms we have our tactical plan for thinking inside the black box of digital media, for moving past 'screen studies' to a new take on electronic media informed by deep understanding of technological practices of inscription and storage. Kirschenbaum introduces a fresh and enlightening dichotomy, that of the interplay of formal and forensic inscription. This dichotomy becomes the raw material for cutting the key to a new critical apparatus for unlocking studies of digital media."
--Henry Lowood, Curator for History of Science & Technology Collections, Germanic Collections, and Film & Media Collections, Stanford University Libraries

"Kirschenbaum's book is the most rigorous, cohesive, historically informed, materially grounded, and theoretically interesting treatment of textual artifacts in the age of digital mutation that I have yet encountered. The book introduces completely new materials and unique archival and site-specific research within an innovative methodological framework blending the new textual scholarship with the equally new discipline of digital forensics. Mechanisms is destined to be a landmark work for the field of digital textual studies in the same way that Lev Manovich's Language of New Media was for the digital arts and new media fields."
--Alan Liu, Department of English, University of California, Santa Barbara

Mechanisms: New Media and the Forensic Imagination

Saturday, December 18, 2010

CLIR Digital Forensics Report Out

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